pushing myself to create larger scale pieces, i have begun to explore the manipulation of my paintings (sheets of paint) by draping over objects. in doing so i have discovered new forms and new ways to begin to come off the wall.
well, that plan was short lived
test one hundred:
-all valves entitled iiiiiiiiii never function
-inflatable neoteric igloos tear easily
-many electrical adapters need instructions
-nervousness grows slowly
-energy varies
-everyone networks
-messages end and nothing is noted, giving less evident studies so our notions evoke someone
end of the semester show
experimenting with house paint
from left to right: there is no proof:metallic, there is no proof:shavings, there is no proof, there is no proof:scraps, and there is no proof:sand paint., latex acrylic house paint
inpatient, latex acrylic house paint on window, 18x24in
there is no proof:roll, latex acrylic house paint, 5x5x1in
there is no proof:pillar two, latex acrylic house paint, 120x5x5in
there is no proof:pillar one (close up), latex acrylic house paint, 120x5x5in
stumble into curiosity
the human experiment: muscles yawn secretly through every respiratory yield, obstructed frequently at random times